A R T

Conceptual Art’s Agency in Rural Spaces

While I appreciate and participate in work like Caddilac Ranch, I do try to consider alternate perspectives. I revisited a thought after reading the article, There Are Big Ideas In Little Corsicana. Conceptual artwork existing in peculiar, rural places, especially in Texas, confronts its residents invasively. What gives conceptual art the agency to exist wherever the artist wants? The article describes an exhibition space next door to an auto shop but, can one put an auto shop adjacent to an established museum or gallery without a fuss? I can’t think of many other things that have this physical power and adaptability. The clash of critics, curators, artists, and small-town southern residents is one example of its oddity. I think about the people living in blue-collar communities accessing artwork that often connotes a white-collar world, unaccepting in many formats.

Freedom Dispersed

DFW-based artist, curator, and professor Lauren Cross’s installation A Moment of Silence / Let Freedom Ring is part of Nasher’s public art initiative. Her work will be on view until September 19th, located at For Oak Cliff, a non-profit organization dedicated to dismantling systemic oppression. A Moment of Silence / Let Freedom Ring commemorates the holiday Juneteenth.

Artists utilizing a space like For Oak Cliff conceptually while considering its accessibility to the surrounding community is an exciting movement I see happening more and more in Dallas.

Read the Nasher Sculpture Center’s statement here.

Painting’s Afterlife

Where Do Paintings Go After Their Owners Abandon Them? is an article that reports on an Instagram feed that archives discarded paintings. It makes me a little sad to see trashed paintings. Even though I have my own collection of unwanted work that’s hidden in corners and drawers. Now I’m reconsidering how I treat unused canvases or prints. I think the moral thing to do is repurpose them or, donate them to thrift stores.

H I S T O R Y

The Dallas Express 1892 - 1970

TW: Racism & Violence

The Dallas Express one of the most circulated Black-run newspaper of the South. I learned about this history through D Magazine’s, The Real Story Behind Dallas Express which, delves into and critiques Monty Bennett’s re-launch of the newspaper this year.

With headquarters in Deep Ellum, the paper was founded during segregation and neglect for the Black community's needs. Weekly publications covering racist attacks, ways to protect each other, Black-owned business ads, recipes, and more, were sent out. What is archived of The Dallas Express shows important and underreported history, especially in Dallas.

Gay Pride & Post-Stonewall Art

LGBTQ+ people publicly celebrating their community was unthinkable until the Stonewall Uprising on June 28th, 1969. Homosexuality was illegal at this point. Police raided gay clubs and bars, often met with brutality. On the 28th at The Stonewall Inn, the community had enough and decided to fight back. The protest lasted six days and sparked the Gay Rights Movement in the U.S. Now, each year in June in honor of Stonewall, cities around the country celebrate with a Gay Pride parade.

Influential artwork came soon after the Stonewall Uprising, including artists like Nan Goldin, Keith Haring, and Robert Mapplethorpe, whose work I saw at the Guggenheim’s permanent collection and included pictures of below. Curated by Jonathan Weinberg, Art After Stonewall, 1969 - 1989 is an exhibition dedicated to showcasing this time as an art movement. The first opening was in 2019 at Grey Art Gallery at NYU and most recently on view at Columbus Museum of Art during 2020. There’s also an art book for the exhibition that I'd love to own. In an interview by Artnet, Weinberg talks about themes in artwork post Stonewall and pre AIDS epidemic.

M U S I C

I’ve been making a lot of physical artwork lately like coloring, printmaking, painting which this playlist is inspired by.

Images by Alexandra Hulsey unless credited otherwise.