Established in January 2020, Sub Rosa emerged as a digital journal dedicated to featuring the concealed aspects of my creative practice—a reflection of the systematic groundwork that shapes my artistic endeavors. Within these pages, you will encounter the individuals, objects, moments, locations, and histories that serve as sources of inspiration. Currently on hiatus, with sporadic posts, Sub Rosa now functions primarily as an archive.

Sub-Rosa: happening or done in discrete // Rose: a symbol of feminine generative powers

Chronicles | October - December 2021

January 1, 2022

Sub Rosa Support

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My intent for Sub Rosa is to provide access to curated information centered on art and activism. Valuing my time as an artist, I’ve been thinking of a way to offer readers the choice to pay for my chronicles. Below is an option to support my project for as little as $1 one time or however you’re comfortable.

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Hi there,

I’ve got no words other than this, just images I’ve taken the past three months as I aim to take life day by day. A click on the pictures will direct you to a corresponding article.

Happy New Year.

- A

One of the most expensive private schools in the world is Avenues: The World School with views of New York City's High Line Park. — Avenues: The World School

One of the busiest days The Sate Fair of Texas has seen was closing day year 2021. The racists and secretive history of Fair Park looms over the city of Dallas. — Fair Park Closing Day, 2021

Laura Owen's mosaic installation at Laguardia airport. — I?NY, Laura Owens, 2020.

Aristide Maillol's The River at The Museum of Modern Art in New York City. — Aristide Mailloll, The River, Begun 1939; completed 1943

A sun filled exhibition space at The Noguchi Museum in Queens New York. — Bird Song, 1925 & Downward Pulling #2, 1972 by Isamu Noguchi

Alexander Calder's mobil at The Museum of Modern Art in New York City. — Unknown Title, Alexander Calder

A detail of Crime Suspect by Gordon Parks at The Museum of Modern Art in New York City. — Crime Suspect, Gordon Parks, 1957

A detail of The Negro press was also influential in urging the people to leave the South by Jacob Lawrence at The Museum of Modern Art in New York City. — The Migration Series, Jacob Lawrence, 1940-41

A detail of Hope II by Gustav Klimt at The Museum of Modern Art in New York City. — Hope II, Gustav Klimt, 1907-08

The Noguchi Museum in Queens New York. — Little Id, 1970 by Isamu Noguchi

Akari Light Sculpture by Isamu Noguchi

A detail of Jacob's Ladder by Helen Frankenthaler at The Museum of Modern Art in New York City. — Jacob’s Ladder, Helen Frankenthaler, 1957

Pink and white Off-White Eco Vulc Canvas Low Tops by Virgil Abloh 2021. — Off-White’s, Virgil Abloh, 2021

A detail of Gaea by Lee Krasner at The Museum of Modern Art in New York City. — Gaea, Lee Krasner, 1966

SERVER: Lova Ta, Love Ya' is a solo exhibition at The Mac by Ciara Elle Bryant in Dallas, Texas. — SERVER: Lova Ta, Love Ya’, Ciara Elle Bryant, 2021

Cupboard VII by Simone Leigh at The Whitney Museum of American Art in New York City. — Cupboard VIII, Simone Leigh, 2018

All images © Alexandra Hulsey